| The worst thing about Christmas has to be listening to | | | | much aplomb. It shows both types of recording on the |
| Top Of The Pops and the Christmas Number 1 - Girls | | | | same arrange page making it easy to see how they |
| Aloud, Robbie Williams, Westlife and Mr Blobby for | | | | fit together. |
| goodness sake! Surely anyone can produce a better | | | | And finally, you need a CD recorder so you can burn |
| Christmas Hit than those. After all, a computer does all | | | | your finished hit to CD and send it to lucky record |
| the work, doesn't it - all you do is press a few buttons | | | | companies. If you've a modern PC you'll have one |
| and jiggle a few drum and bass lines around. | | | | already. But do use a labeller and create a CD inlay, |
| So what do you need? You need a PC with a | | | | too, to give the CD a pro finish. In the music biz, looks, |
| reasonable amount of processing power under the | | | | fashion and style are far more important than content |
| hood - a Pentium III at least, preferably a P4 - in order | | | | so spend at least as much time on the outside as on |
| to run the music software. | | | | the music. Put your contact details on the CD label as |
| Audio files are quite large - forget MP3s, we're talking | | | | well as the inlay. |
| the real thing here - and for each track of audio you | | | | Hook and line |
| record you'll need around 10.6Mb of hard disk space | | | | Now let's make a song. You need a hook. This is the |
| per minute. Every track won't be filled with audio so | | | | bit everyone sings so it has to be catchy. It's usually |
| you won't need quite that much in a multi-track | | | | the chorus but you can have a catchy bass line, drum |
| recording but for a four-minute 16-track song it would | | | | line or even a vocal hook such as shout or a catch |
| be wise to allocate around 500Mb of hard disk space. | | | | phrase like "Eh Oh". Well it worked for the Teletubbies |
| Playing cards | | | | - are you old enough to remember them with |
| You need a soundcard. All modern PCs have one of | | | | embarrassment? |
| these but if you don't want your song to sound like it | | | | Let's say you've come up with a stonking chorus. Build |
| was recorded in a back bedroom - even it if was - | | | | a verse around it. It doesn't have to be memorable; |
| get a decent card. | | | | few verses are. You can meander around in a |
| At Christmas-stocking prices are a range of | | | | relatively tuneless way until it's time to unleash the |
| SoundBlaster cards such as the Audigy 2 ZS (for | | | | chorus on the world. |
| under £70/$100) with a good set of built-in sounds. | | | | When building a song, start with the rhythm section. |
| But more than that, they support SoundFonts. These | | | | Grab some groovy drum loops, string them together |
| are samples the card uses to produce realistic | | | | then add the bass line. You can play this on your new |
| instrument sounds and better beefy bass lines than | | | | MIDI keyboard or drop in bass samples - jolly useful |
| yer average sound card. | | | | things, samples. |
| If you've a rich Mummy and Daddy they'll be pleased | | | | Next you'll want to add some keyboard parts which |
| to buy you a more expensive card such as E-Mu's | | | | can be clever rhythmic figures or you can play pads |
| Emulator X (around £220/$380), a desktop | | | | by holding down some chords using a broad-texture |
| sampling system that also supports SoundFonts. If you | | | | sound such as strings. |
| own a nightclub you'll be able to afford one of | | | | Very vocal |
| CreamWare's high-end systems with on-board | | | | Then add the vocals. If you can't sing - but remember |
| synthesisers that can do everything but sober up the | | | | that never stopped anyone making a record - you |
| drummer - not that you need a drummer 'cause the | | | | might like to nip down the pub and ask the winner of |
| cards have all the drum sounds you need. | | | | this week's karaoke contest to do the chanting for |
| Key move | | | | you. Play your cards right and they may even pay you |
| You'll also need a MIDI keyboard to record your | | | | for the privilege. |
| masterpiece. There's a vast choice here from E-Mu's | | | | If you've too much musical nous to be in the same |
| XBoard 25, XBoard 49, and Swissonic's CK490 (all | | | | room as a karaoke singer, you can always fall back |
| running around £100/$150 give or take) to the | | | | on your old friend, the sample. |
| Fatar range running from the TMK61 (£130/$225) | | | | The final step is the mixing. This is where you balance |
| up to the VMK 188 Plus (£599/$1000) with | | | | all the parts you recorded, add a dash of reverb and |
| several models inbeween. | | | | generally tart the thing up. |
| These keyboards don't have any on-board sounds like | | | | Then save the entire song as an audio file ready for |
| synthesisers but they're much cheaper than synths | | | | burning to CD. This means recording the MIDI parts as |
| and there are sounds in the soundcard anyway. If | | | | audio tracks. You need to mix all the tracks into one |
| you've seen an Elton John concert and can't face the | | | | stereo track so the final file will be 10.6Mb x the length |
| thought of touching a keyboard, don't worry - you can | | | | in minutes. |
| use pre-recorded loops and samples and cleverly | | | | Looks good |
| arrange them in stunning combinations without a | | | | Now you have to interest the A&R men in your CD. |
| keyboard. | | | | It's all about image so if you're dull and ugly - name |
| Listen 'ere | | | | three ugly pop stars, apart from Madonna and Mick |
| A decent pair of speakers is essential. The ten quid | | | | Hucknall - you may have to get one of your beautiful |
| jobbies that were bundled with your PC may be fine | | | | friends to pose for the publicity photos. |
| for playing MP3s but they simply won't do for mixing | | | | Write a one-page biog - they don't want to know that |
| music. | | | | you have a GCSE in music, they want to know what |
| The Big Boys use dedicated monitor speakers which | | | | gigs you've done and any Big Name bands you've |
| can cost as much as a holiday in Barbados but if you | | | | supported. Drop a few names such as Bruce, Robbie |
| leave the other half at home you could easily afford | | | | and Tina. You don't have to mention surnames... |
| Behringer's MS16s (£46/$79), or Edirol's MA7A | | | | If you do catch the ear of an A&R person, be |
| (£80/$135) or MA150 (£120/$200). | | | | prepared to throw your ego out the window - you |
| If your PC is near your hi fi you can run the audio | | | | can't afford one at the moment and when you're rich |
| through that but switch off any bass boost or EQ | | | | and famous you can buy a much better one anyway. |
| settings. The idea is to get a flat, uncoloured response | | | | You'll see the months of blood, sweat and Pils which |
| so if it sounds good on those speakers it should | | | | you poured into your song pouring straight down the |
| sounds good on any speakers. So the theory goes. | | | | drain as the record company drafts in a 14-year-old DJ |
| Good arrangement | | | | to remix your song using the latest Dance breakbeats |
| The Big Boys can fiddle with high-end music | | | | and crap - sorry, rap - vocals. |
| sequencers but the new and incredibly modestly-priced | | | | But don't worry - you can laugh all the way to the |
| Cubase SE 3 (less than a ton/$170) lets you record | | | | bank when it reaches Number One! |
| and assemble audio and MIDI parts with almost as | | | | |